2008-present
Goldsmiths, London - MFA Art Writing
2004-2007
Central St Martin's, London - BA Hons Fine Art
1st Class Honours
2000-2004 Oxford University - BA Hons Linguistics & Italian Literature
1st Class Honours & Distinction
Selected Screenings & Exhibitions
2010Work in Progress with antepress &
Vertigo of the Modern The Diagram with antepress at FormContent Field Recordings, Five Years GalleryShiiin, Jet Stream, White Earphones: event with antepress 2009
DO SOMETHING book launch, Centre Pompidou Paris
Writing Exhibitions, Stanley Picker Gallery
10 Performances, part of Beyond Text
Word Play, Whitechapel Gallery
Known Unknowns, Whitechapel Gallery
Art Writing with antepress, FormContent Gallery, London
WE'RE ALL GOING TO BLOW SO THE BUILDING GOES
Sugar High, MOCCA, Toronto
Digestives, weekly Art Writing series, Resonance FM (ongoing)
LIKE WHEN YOU, Vyner St, London
Writer in Residence, South London Gallery, London
Dumb Objects, Wolstenholme Projects, Liverpool
Text Festival, The Met Arts Centre, Bury
What The Matter Is, Resonance fm Radio, London (solo)
2008 There In Time, Bridewell Gallery, Liverpool Biennial Ind. Citations Lifted Loose, Princelet St, London Changing Rooms, Shakespeare Rd, London A Stain Upon the Silence, Central Saint Martins, LondonDrawing Affinities, Menier Gallery, London (Three) Range Chicken, Freightliners Farm, London 2007 Insubstantial Hold of the Reader, here Gallery, Bristol (solo)
Journey of Exchange, Oxford House, LondonDegree Show 2007, Central St Martins, LondonBloodRelative, Paintworks, Bristol Works on Paper, 212 Gallery, Bristol (solo)
2005
Piccadilly Circus, London
Glolab 2005, Boston
Eugene Presents, Boston
Trinity Buoy Wharf, London
Reviews, Publications, Commissions, Awards
2009
2008
2007
2006
2005
Eugene Presents: "The World Numbered 1-48"
British Museum Adult Learning Publications: Illustrator
2004
Eugene Magazine: “The Matter” (v.I: pp.34-38)
Ambassador's Residence, London: Wall Paintings
Research Interests
My texts, videos, performances and domestic objects engage the friction between visual art and writing; expression and experience; artwork and everyday life. Against a background in language and translation, I apply textual strategies of multilingualism, translation and repetition to non-textual artifacts, creating quietened or 'flattened' works that draw attention to their own artifice.